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How native speakers pronounce “ballet

24 examples from real videos — listen, replay, loop.

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She's wonderful. I used to be on the board of The Royal Ballet, as you can see. (Laughter)

Do schools kill creativity? — Ken Robinson · TED

Every occurrence (24)

She's wonderful. I used to be on the board of The Royal Ballet, as you can see. (Laughter)

Do schools kill creativity? — Ken Robinson · TED

people who had to move to think." They did ballet, they did tap, jazz; they did modern; they did contemporary. She was eventually auditioned for the Royal Ballet School.

Do schools kill creativity? — Ken Robinson · TED

They did ballet, they did tap, jazz; they did modern; they did contemporary. She was eventually auditioned for the Royal Ballet School. She became a soloist; she had a wonderful career at the Royal Ballet.

Do schools kill creativity? — Ken Robinson · TED

She was eventually auditioned for the Royal Ballet School. She became a soloist; she had a wonderful career at the Royal Ballet. She eventually graduated from the Royal Ballet School,

Do schools kill creativity? — Ken Robinson · TED

She became a soloist; she had a wonderful career at the Royal Ballet. She eventually graduated from the Royal Ballet School, founded the Gillian Lynne Dance Company,

Do schools kill creativity? — Ken Robinson · TED

He was the mayor of Sacramento. She won a Pulitzer Prize. He's a Russian ballet dancer." And I kind of grew up assuming

Celeste Headlee: 10 ways to have a better conversation | TED · TED

travel baseball or, you know, piano, recital, ballet, or would you rather um be online with them playing games, you

How to Raise Confident Kids in an Age of Anxiety | Lenore Skenazy | TED · TED

The first night I danced "The Firebird" at American Ballet Theater, I wasn't yet a principal dancer.

The Roots of Resilience | Misty Copeland | TED · TED

It was the most diverse audience the Met had ever seen for a ballet performance. (Applause)

The Roots of Resilience | Misty Copeland | TED · TED

late by every standard, I touched a ballet bar for the first time. It wasn't in a studio.

The Roots of Resilience | Misty Copeland | TED · TED

My confidence began to flicker awake. Ballet made me feel alive and like I had purpose.

The Roots of Resilience | Misty Copeland | TED · TED

It gave me the resilience to survive and, in time, truly thrive. But ballet was not always the safe place I hoped it would be. I was the only Black woman in a company of more than 80 dancers.

The Roots of Resilience | Misty Copeland | TED · TED

I was the only Black woman in a company of more than 80 dancers. And for all the stability and belonging I had discovered early on in ballet, I also had to face the reality that this art form,

The Roots of Resilience | Misty Copeland | TED · TED

was not originally intended for people who looked like me. In my third year as a corps de ballet member, the decision was made to exclude me from a filmed production of "Swan Lake"

The Roots of Resilience | Misty Copeland | TED · TED

In a single sentence, everything I loved about ballet, the beauty, the discipline, the stability it had given me

The Roots of Resilience | Misty Copeland | TED · TED

questioning whether this was truly a place for me to be in this world of ballet that I had dedicated myself to. And yet the next morning, I came back to the studio.

The Roots of Resilience | Misty Copeland | TED · TED

It was showing up again even when my heart was broken. More than a decade later, it was that same ballet, that damn "Swan Lake,"

The Roots of Resilience | Misty Copeland | TED · TED

And yet, in that pressure, I returned to what ballet had always been for me. A language of artistry.

The Roots of Resilience | Misty Copeland | TED · TED

Raven had been the first Black woman to dance in a major American ballet company, the Ballet Russe de Monte Carlo, in the 1950s,

The Roots of Resilience | Misty Copeland | TED · TED

to dance in a major American ballet company, the Ballet Russe de Monte Carlo, in the 1950s, performing across segregated America

The Roots of Resilience | Misty Copeland | TED · TED

and beauty into legacy. In 2015, I was promoted to principal dancer at American Ballet Theater, the first Black woman in the company’s then 75-year history.

The Roots of Resilience | Misty Copeland | TED · TED

someone who definitely helped me to expand the audience that we were reaching through ballet; through the Misty Copeland Foundation,

The Roots of Resilience | Misty Copeland | TED · TED

through the Misty Copeland Foundation, bringing ballet into communities that once felt excluded; through books,

The Roots of Resilience | Misty Copeland | TED · TED

To create beauty even when the ground beneath you is unsteady. That is the resilience that ballet gave me. And resilience is a skill we can all draw on,

The Roots of Resilience | Misty Copeland | TED · TED