She's wonderful. I used to be on the board of The Royal Ballet, as you can see. (Laughter)
Do schools kill creativity? — Ken Robinson · TED
24 examples from real videos — listen, replay, loop.
She's wonderful. I used to be on the board of The Royal Ballet, as you can see. (Laughter)
Do schools kill creativity? — Ken Robinson · TED
She's wonderful. I used to be on the board of The Royal Ballet, as you can see. (Laughter)
Do schools kill creativity? — Ken Robinson · TED
people who had to move to think." They did ballet, they did tap, jazz; they did modern; they did contemporary. She was eventually auditioned for the Royal Ballet School.
Do schools kill creativity? — Ken Robinson · TED
They did ballet, they did tap, jazz; they did modern; they did contemporary. She was eventually auditioned for the Royal Ballet School. She became a soloist; she had a wonderful career at the Royal Ballet.
Do schools kill creativity? — Ken Robinson · TED
She was eventually auditioned for the Royal Ballet School. She became a soloist; she had a wonderful career at the Royal Ballet. She eventually graduated from the Royal Ballet School,
Do schools kill creativity? — Ken Robinson · TED
She became a soloist; she had a wonderful career at the Royal Ballet. She eventually graduated from the Royal Ballet School, founded the Gillian Lynne Dance Company,
Do schools kill creativity? — Ken Robinson · TED
He was the mayor of Sacramento. She won a Pulitzer Prize. He's a Russian ballet dancer." And I kind of grew up assuming
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travel baseball or, you know, piano, recital, ballet, or would you rather um be online with them playing games, you
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The first night I danced "The Firebird" at American Ballet Theater, I wasn't yet a principal dancer.
The Roots of Resilience | Misty Copeland | TED · TED
It was the most diverse audience the Met had ever seen for a ballet performance. (Applause)
The Roots of Resilience | Misty Copeland | TED · TED
late by every standard, I touched a ballet bar for the first time. It wasn't in a studio.
The Roots of Resilience | Misty Copeland | TED · TED
My confidence began to flicker awake. Ballet made me feel alive and like I had purpose.
The Roots of Resilience | Misty Copeland | TED · TED
It gave me the resilience to survive and, in time, truly thrive. But ballet was not always the safe place I hoped it would be. I was the only Black woman in a company of more than 80 dancers.
The Roots of Resilience | Misty Copeland | TED · TED
I was the only Black woman in a company of more than 80 dancers. And for all the stability and belonging I had discovered early on in ballet, I also had to face the reality that this art form,
The Roots of Resilience | Misty Copeland | TED · TED
was not originally intended for people who looked like me. In my third year as a corps de ballet member, the decision was made to exclude me from a filmed production of "Swan Lake"
The Roots of Resilience | Misty Copeland | TED · TED
In a single sentence, everything I loved about ballet, the beauty, the discipline, the stability it had given me
The Roots of Resilience | Misty Copeland | TED · TED
questioning whether this was truly a place for me to be in this world of ballet that I had dedicated myself to. And yet the next morning, I came back to the studio.
The Roots of Resilience | Misty Copeland | TED · TED
It was showing up again even when my heart was broken. More than a decade later, it was that same ballet, that damn "Swan Lake,"
The Roots of Resilience | Misty Copeland | TED · TED
And yet, in that pressure, I returned to what ballet had always been for me. A language of artistry.
The Roots of Resilience | Misty Copeland | TED · TED
Raven had been the first Black woman to dance in a major American ballet company, the Ballet Russe de Monte Carlo, in the 1950s,
The Roots of Resilience | Misty Copeland | TED · TED
to dance in a major American ballet company, the Ballet Russe de Monte Carlo, in the 1950s, performing across segregated America
The Roots of Resilience | Misty Copeland | TED · TED
and beauty into legacy. In 2015, I was promoted to principal dancer at American Ballet Theater, the first Black woman in the company’s then 75-year history.
The Roots of Resilience | Misty Copeland | TED · TED
someone who definitely helped me to expand the audience that we were reaching through ballet; through the Misty Copeland Foundation,
The Roots of Resilience | Misty Copeland | TED · TED
through the Misty Copeland Foundation, bringing ballet into communities that once felt excluded; through books,
The Roots of Resilience | Misty Copeland | TED · TED
To create beauty even when the ground beneath you is unsteady. That is the resilience that ballet gave me. And resilience is a skill we can all draw on,
The Roots of Resilience | Misty Copeland | TED · TED